Home United Kingdom Netflix’s 20 biggest critical flops, from Emily in Paris to Rebecca

Netflix’s 20 biggest critical flops, from Emily in Paris to Rebecca

Netflix’s 20 biggest critical flops, from Emily in Paris to Rebecca

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netflix flops


For individuals who’ve a masochistic trip, there are few things more fulfilling than despise-watching terrible films and TV exhibits.

And there are quite a bit of them: Ben Wheatley’s lavish but weirdly empty adaptation ofRebecca appalled critics and followers alike final year.

When Emily in Paris hit shows, it inspired a deep hatred in critics who condemned it for “caricaturing” French folks as “vile snobs”.

However followers restful inhaled every of those abominations within hours of them arriving online.

Rebecca and Emily in Paris were every brought into the world by Netflix, so it easiest regarded fitting that we collate a listing of the platform’s top 20 critical flops here…


Emily in Paris

In a one-huge title overview, The Independent’s critic Ed Cumming listed seven groups of folks that would no longer experience this sequence, and it’s laborious no longer to tumble into one in every of those classes, one in every of which is “anybody who’s eaten a croissant”. He additionally described the titular lead – performed by Phil Collins’ daughter Lily – as “inappropriate” and her banter as “faintly agonising”.


Ryan Murphy’s tremendous-budget, all-huge title ode to the golden age of cinema might well restful were a success, but changed into advance universally panned by critics when it changed into released earlier this year. The Independent’s Ed Cumming called the demonstrate a “tremendous shiny mess”, reading: “Hollywood can by no design take whether or no longer it wants to be an aspirational woke-alternate-truth delusion or a nihilistic dark comedy, and its conflicting tones sit down uneasily together.”

Home Power



This satirical demonstrate starring Steve Carell did not have enough comic say material to describe a complete sequence, according to The Independent’s critic Ed Cumming who wrote that the demonstrate “struggles to find out from below the biggest joke of all, which is that it is in line with an actual US govt division. It’s materials for a sketch, in situation of a complete sequence, and it might per chance well well be funnier if it wasn’t merely.”

Read more: The 39 easiest Netflix and Amazon Top exhibits to find out about in lockdown


One of basically the most controversial Netflix Originals of all time, Insatiable changed into accused of rotund-shaming sooner than it changed into even released, with over 100,000 folks signing a petition calling for it to be cancelled. The demonstrate didn’t fare grand higher with critics as soon because it finally aired, with The Independent’s overview reading: “Insatiable is bigger than gratified to slap the sign of ‘satire’ over itself with little to no understanding about what it in truth entails.”


In a one-huge title overview for The Independent, Ed Cumming wrote of this sci-fi sequence: “Hilary Swank commits admirably to her characteristic, frankly past what she ought to be ready to finish with the script, but even her shoulders, and the relaxation of the Atlas’s crew, aren’t astronomical enough to carry us away.”


This gender-flipped model of Indecent Proposal starring Renée Zellweger got a lukewarm critical reception when it changed into released in 2019. While Zellweger’s performance changed into praised, the demonstrate struggled to design a splash, with The Independent’s Clarisse Loughrey writing that “in the tip, a deep and meaningful premise is undercut by the total melodramatics”.

Marco Polo

This drama concerning the Venetian service provider and adventurer changed into ripped aside by The Atlantic’s Lenika Cruz, who said: “A tremendous budget, excessive hopes, and actual intentions it looks wasn’t enough to buoy a boring protagonist and flaccid story.” The sequence scored an adverse 66 per cent on overview aggregator Unsuitable Tomatoes – but its audience salvage changed into a resounding 94 per cent, making it the explicit despise-find out about.




With Sam Taylor-Johnson directing and Naomi Watts starring as a manipulative psychologist, Gypsy had the total markings of a success, but got dejected reviews on its 2017 originate. IndieWire’s Ben Travers wrote of the sequence: “Intended as an exploration of a heart-ragged woman’s unrestrained needs, [Gypsy] by no design elevates its drama to anything thematically challenging or narratively titillating.”

Hemlock Grove

This scare sequence scored a pitiful 38 per cent on overview aggregator Unsuitable Tomatoes. The supernatural demonstrate concerning the goings-on in a Pennsylvania steel town changed into deemed “idiotic, slack, and customarily offensive” by Den of Geek’s Sarah Dobbs.


Australian comic Chris Lilley might well have chanced on success with Summer Heights Excessive and Ja’mie: Private College Lady, however the joke changed into regarded as to be wearing thin when Lunatics changed into released in 2019. In the comedy sequence, Lilley dons a rotund suit, performs a seven-foot-gargantuan feminine student and mocks the transgender community, leading The Guardian’s Luke Buckmaster to write in his one-huge title overview: “[Lilley’s] methodology has by no design felt as laboured, or as formulaic, or as devoid of suggestions.”



 (Kerry Brown/Netflix)

(Kerry Brown/Netflix)

In a two-huge title overview for The Independent, critic Clarisse Loughrey described this adaptation of Daphne du Maurier’s traditional guide as “dreary and garish” and its lead actors Armie Hammer and Lily James as behaving devour “two planks of wooden”. She concluded: “This Rebecca is du Maurier diminished to an airport unusual.”

The Kissing Booth

Netflix has branched into the world of teen films and romcoms with varying levels of success, with some receiving critical acclaim (To Your complete Boys I’ve Cherished Sooner than, Continuously Be My Per chance) while others were panned. One such flop is The Kissing Booth, which changed into condemned for being every clichéd and misogynistic, with The Independent’s Clarisse Loughrey writing in her two-huge title overview of the 2020 sequel that the apply up wasn’t “as aggressively problematic as its predecessor, a minimum of”.

Read more: Netflix secret codes: How to find entry to hidden films and TV exhibits on the streaming service

The Ridiculous 6

This Adam Sandler spoof western changed into branded “unwatchable” by critics. With out warning set together with some dodgy CGI, the movie co-stars Terry Crews, Taylor Lautner and Luke Wilson and most of its jokes revolve spherical donkey excrement.

The Cloverfield Paradox



The third instalment in the Cloverfield franchise, this JJ Abrams-produced film changed into a surprise originate from Netflix in 2018. On the opposite hand, reviewers in most cases agreed that it changed into by a long way the weakest of the trilogy and struggled to leer its connection to the original films, with The Independent’s Jacob Stolworthy writing: “This most up-to-date entry has turned the as soon as-burgeoning sequence into a sham.”


Neo-noir motion movie Polar changed into given one huge title by The Guardian’s critic Stephen Snart. He said the film, which stars Mads Mikkelsen as a hitman facing retirement, is full of “distractingly explicit violence” and it “drowns in gore and stupidity”.

Brain on Fire

In accordance with Susannah Calahan’s memoir of the title, Brain on Fire stars Chloe Grace Moretz as a journalist diagnosed with a rare auto-immune illness affecting the brain. However despite featuring a starry solid including Tyler Perry and Jenny Slate, the film changed into accused of slipping into the effectively-frail clichés predicament out in films devour The Fault in Our Stars and 5 Toes Apart, with Diversity’s Peter Debruge writing that Moretz’s personality changed into “the form of characteristic for which the Razzies were invented”.

Read more: The 43 easiest original films to find out about on Netflix, ranked

Loss of life Point to

This scare film centres spherical a excessive college student who discovers a supernatural notebook that affords him lethal powers. The Verge’s Megan Farokhmanesh said it changed into “weightless and unnecessarily gory”, adding: “The film is more centered on cyberpunk-esque visuals and crunchy synth than on any kind of substance.”

The Silence



Taking definite inspiration from A Restful Location but failing to design the the same impact as Rooster Box, Netflix’s The Silence couldn’t be saved by stars Stanley Tucci and Kiernan Shipka and changed into accused of having a dejected script and unhurried pacing. “The Silence is barely a scare movie, and that’s its biggest anxiousness,” Roger Ebert’s Brian Tallerico wrote. “A scare movie needs stakes, and you true by no design feel them here.”

Secret Obsession

This film has a damning 29 per cent rating on overview aggregator Unsuitable Tomatoes, but NPR’s Linda Holmes implied it is miles going to be finest for a despise-find out about. “Here’s a moderately heinous movie,” she wrote, “but it certainly looks to be heinous in the vogue it is meant to be heinous. It be cheerfully trashy, and if that’s up your alley, have at it.”

The King

When it changed into introduced that Timothée Chalamet and Robert Pattinson might well be teaming up for a revisionist consume on Shakespeare’s Henriad, it regarded devour Netflix had a surefire hit on their hands. However despite the total fanfare, The King failed to design a splash when it changed into released in 2019, with The Independent’s Clarisse Loughrey accusing the film of “mistaking laboured reverence for dramatic intensity” and being “insecure of levity to the point that it mangles the story”.

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Netflix’s 20 biggest critical flops, from Emily in Paris to Rebecca