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Firmly anti-Valentines cloth, William Oldroyd’s slippery 2016 movie is rotten and imprecise, nevertheless on the very least a indispensable early showcase for the abilities of Florence Pugh. Location in rural England in 1865, Pugh performs Katherine, a girl stuck in an embittered arranged marriage – her terse relationship alongside with her husband leading to an affair with the servant Sebastian, and her rising wants leading to correct decline and contemptuousness.
It’s no longer so mighty a feminist story of liberation as it’s some distance one of selfishness. Oldroyd’s route likely a runt too opaque for its non-public appropriate, alternating between lack of skills and hyperaware of the racial dynamics between the characters, nevertheless Pugh is eminently watchable even as her character becomes an increasing number of more noxious.
Also on iPlayer: The Deer Hunter, Sliding Doorways, Monsters College
Concept Lady Macbeth on BBC iPlayer
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The World of Wong Kar-wai collection
Even all over a quantity of genres there is an acute heartache on the core of Wong Kar-wai’s filmography. His characters lengthy for something impossible, whether or no longer it’s something within the previous or correct in entrance of their eyes, nevertheless aloof painfully previous their get rid of. Since his debut feature As Tears Streak By within the tiresome 80s the filmmaker has put his non-public melancholic impress on the sort films that characterised his native Hong Kong scene, with works such because the pleasing Fallen Angels striking his non-public overtly romantic fling on the gangster movies of his visitors adore John Woo.
His main western breakout movie Chungking Categorical – shot in excellent 23 days and champion by the likes of Quentin Tarantino – is more whimsical in its romantic expression, its story divided between two heartbroken men (Takeshi Kaneshiro and Wong’s muse, Tony Leung) and the romances that reduction them abet on their toes. Contented Together, which furthermore stars Leung, is more unstable nevertheless no much less beautiful, a combination of colorful color and opulent gloomy and white visuals chronicling the fierce fancy and co-dependence between two men on holiday in Buenos Aires. His informal trilogy of Days of Being Wild, In The Temper For Love and 2046 is furthermore tied together by heartbreak, the latter two films following Chow (Tony Leung again) and his transient come upon with Su Lizhen (a beautiful Maggie Cheung), and its devastating fallout.
The visual enchantment of Wong’s films, often shot by maestro cinematographer Christopher Doyle, is never any longer to be understated – nevertheless there’s furthermore something to be mentioned of his soundtracks, all curations of vintage pop songs and aged music that expertly discuss the feelings that characters could presumably leave unstated. That, they typically’re often extraordinarily catchy decisions: question to be humming California Dreamin’ for days after staring at Chungking. Quite merely, some of the best cinema ever made.
Also on BFI Player: A Deal With The Universe, Weekend
Concept The World of Wong Kar Wai collection on BFI Player